Halifax, Nova Scotia
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Mitchell
The bags just fit into the trunk of the gold Alero we're renting for the Nova Scotia leg of this vacation. Halifax is about twenty minutes from the airport, and I point us toward town. The highway cuts between small lakes on wither side - the water's a dark blue, almost black, topped with whitecaps from the stiff breeze. It's all reminiscent of the Laurentians north of Montreal where I spent a few summers as a kid, but I'm not enjoying the scenery right now - I got worry. I've booked the wrong two nights at the hotel in Annapolis Royal and I'm not quite sure how this will play out - will we have to switch rooms at some point? Switch hotels? Cough up the late-cancellation fee? Labor Day week is a big travel time - a number of hotels were booked up when I made reservations weeks ago. Gloom. I switch on the radio for some road tunes and immediately catch a Kim Mitchell guitar solo. Perfect. Thanks to Canadian content regulations (30-35% of the music on radio has to be Canadian) I got a heavy dose of Kim Mitchell in my high school days in the Montreal suburbs, and I've had to carry the torch alone since moving back to the States. Canada is a country where you can still hear all 20 minutes of Rush's 2112 on commercial radio. It doesn't make much sense south of the border, and I don't even try to explain it to Melanie anymore. I just know now that things will be alright somehow. Yeah right. This could be bad. We move on to a Bryan Adams tune and the highway peters out into the neighborhood streets of Dartmouth, just across the harbor from Halifax proper. With the minimal assistance of a few small signs pointing to the Macdonald bridge (and the huge assistance of the map marked up by the guy at the rental counter) we scurry over the channel and into the north end of Halifax. The Delta hotel is right at the north edge of town, and we park the car in the adjoining mall garage. The room is comfortable, with the harbor view I requested when I made the reservation. Down to business. A deep breath and... the Bread and Roses can move our reservation, no problem. I put the guidebook away. |
| Downtown Halifax is built on a steep slope that borders the second-largest natural harbor in the world (largest is Sydney). The Halifax Citadel is perched a few blocks uphill from the hotel, and we hike into the hard late-afternoon sun to take a look. The site is closing in a few minutes, and the gate attendant waives the six dollar entrance fee to allow us a quick look around. We're impressed with the broad sunken assembly yard and the stonework. Two tartan-clad cadets march past to retrieve the flag, and a lone policeman ushers the sparse crowd back toward the exit. We make plans to return when the site reopens in the morning. |
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The service at this restaurant by the tugs is pretty inattentive, and we quickly move on. |
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Back at the hotel we recharge on in-room coffee and plan our next move. It's Friday night, so we check the free weeklies for music listings - Maxwell's Plum on Grafton has live jazz scheduled. We meander back uphill, puzzled by the ambulances wandering about town as if looking for someone to rescue. There's no music tonight at the Plum after all, and we amble downhill to Argyle Street where we find The Alley, which at least has band equipment set up on the stage. An ambulance crew has found somebody to rescue outside a restaurant next to the club. Bands don't start any earlier here, so we while away a few Labatts listening to a pretty good DJ spinning Bowie and the Clash. Groups of college students on orientation missions flow through the club in coordinated purple, orange and green t-shirts. about 11PM the band gets rolling - they're called Heavy Meadow, and they've got a stripped-down G.Love kind of upright funk going. The guitar player runs his acoustic through a Fender amp, getting a spooky hollow distorted tone. Fine stuff. The Attic is part of a large complex of restaurants and bars that consume a large chunk of the city block - we explore a little and end up two floors down and one street over. We exit past the lamest velvet rope scene ever - a drunk woman in cutoff jeans complaining to four constables that the doormen wouldn't let her in when they plainly let that other woman in and they let her in just like this last week. The 18th Street Lounge it ain't. Or maybe down deep velvet-rope clubs are all the same. |
Note to Canadian architects: more glass, less concrete. We're all in this together. |
The historical exhibits are actually pretty good - in one of the rampart walls there's a history of Halifax and the Citadel (built to protect the colonists in Boston from the French forces in Louisbourg) and the second floor of the barracks has been converted to a sizable wartime artifacts museum displaying uniforms, equipment, and an array of field artillery pieces. The exhibit is weighted heavily toward the first world war and it's chilling to see those weapons up close and in good condition, ready to fire at a moment's notice. Menacing even at rest. There's a lot to see at the Citadel, and even though we pass on the 45-minute movie we end up staying a good bit longer than we expected. |
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One of the busy roads by the gardens is Spring Street, a bustling shopping and restaurant zone. We stop for lunch at Your Father's Moustache, set a few floors above street level. Here we realize a) Canadians smoke a lot and b) the smoking sections are the prime real estate in the restaurants. We opt for the better view, and the smoke isn't too heavy anyway. We order a couple of Keith's, the local brew. Canadians are very fond of their beer, claiming superiority in strength (granted) and taste (hmph) to American mass-produced brews. I've had the occasion to try many malt beverages from both sides of the border, and while I'm no big fan of US macro-brews I stand by my assessment that Canadian beer tastes like American beer served in a dirty ashtray. With unwashed socks at the bottom. Whuddelsyagottontap? Food's good though, and they have that online video trivia game on the big screen. |
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Get out
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